
Expressionism - VI
Willy Jaeckel
1888 - 1944

Willy Jaeckel
Self-portrait (1933)
Willy Gustav Erich Jaeckel (10 February 1888, Breslau – 30 January 1944, Berlin) was a German Expressionist painter and lithographer.
Jaeckel's father was a public lands manager and he originally intended to become a forest ranger, but poor health forced him to change his plans. From 1906 to 1908, he studied at the art school in Breslau, then enrolled at the Dresden Academy of Fine Arts, under the direction of Otto Gussmann, an ornamental painter. In 1913, he moved to Berlin to work as a free-lance artist and became a member of the Berlin Secession in 1915. Four years later, he was elected a member of the Prussian Academy of Arts and became a teacher at the University of the Arts in 1925.
His first successful painting was "Kampf" (Battle, or Struggle), a large canvas featuring a bellowing, muscular, naked man. In 1928, he was awarded the "Georg-Schlicht-Preis" for the "most beautiful portrait of a German woman". His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
He was named an Associate Professor in 1933, but he was dismissed when the Nazis came to power. His students protested, and he was eventually reinstated. This victory was short-lived, however. Those who took classes with him were likely not to graduate and, in 1937, some of his works were officially classified as "degenerate". In response, he painted "Plowman in the Evening" (1939), meant to depict the Nazi concept of Blood and Soil. Many of his works survived the war only because the Nazi government removed them from Berlin.
He lost his studio to a bombing raid in 1943 and he was killed during another raid early the following year. One of his major works, a four-part fresco mural at the Bahlsen bakery in Hanover dating from 1917, was destroyed later in 1944.

Willy Jaeckel
Calla Lily with African Sculpture

Willy Jaeckel
Landscape by the Sea

Willy Jaeckel
Sitting Female Nude

Willy Jaeckel
Portrait of a Woman

Willy Jaeckel - Liegendes Mädchen

DIE ROTE TÄNZERIN , 1929
Willy Jaeckel

„LIEGENDER WEIBLICHER AKT“ , CIRCA 1924/25
Willy Jaeckel

STILLEBEN MIT WEISSEM FLIEDER IN BLAUER KUGELVASE , 1936
Willy Jaeckel

Willy Jaeckel
Female Nude

Willy Jaeckel
Female Nude

Willy Jaeckel
Female Nude

Willy Jaeckel - Bildnis der Frau des Künstlers (Charlotte), 1923

Willy Jaeckel
Aktion

Willy Jaeckel - Liegender weiblicher Akt

Willy Jaeckel
Liebende

Willy Jaeckel
Familie

Willy Jaeckel
Female Nude

Willy Jaeckel
Female Nude

Willy Jaeckel
Willy Jaeckel, Im Romanischen Café, 1912

Willy Jaeckel
"Kampf" (Battle, or Struggle)

Willy Jaeckel
"Judith"

Willy Jaeckel
Mother and Child

Willy Jaeckel
Nude

Willy Jaeckel
Memento First World War 1914/15
Mann gegen Mann

Willy Jaeckel
Memento First World War 1914/15

Willy Jaeckel
Memento First World War 1914/15

Willy Jaeckel
Memento First World War 1914/15

Willy Jaeckel
Memento First World War 1914/15

Willy Jaeckel
Memento First World War 1914/15

Willy Jaeckel
Memento First World War 1914/15

Willy Jaeckel
Memento First World War 1914/15
Hans Grundig
1901 – 1958

Porträt Hans Grundig - von Lea Grundig.
Hans Grundig (February 19, 1901 – September 11, 1958) was a German painter and graphic artist associated with the New Objectivity movement.
He was born in Dresden and, after an apprenticeship as an interior decorator, studied in 1920–1921 at the Dresden School of Arts and Crafts. He then studied at the Dresden Academy from 1922 to 1923. During the 1920s his paintings, primarily portraits of working-class subjects, were influenced by the work of Otto Dix. Like his friend Gert Heinrich Wollheim, he often depicted himself in a theatrical manner, as in his Self-Portrait during the Carnival Season (1930).
He had his first solo exhibition in 1930 at the Dresden gallery of Józef Sandel. He made his first etchings in 1933.
Politically anti-fascist, he joined the German Communist Party in 1926, and was a founding member of the arts organization Assoziation revolutionärer bildender Künstler in Dresden in 1929.
Following the fall of the Weimar Republic, Grundig was declared a degenerate artist by the Nazis, who included his works in the defamatory Degenerate Art exhibition in Munich in 1937. He expressed his antagonism toward the regime in paintings such as The Thousand Year Reich (1936). Forbidden to practice his profession, he was arrested twice—briefly in 1936, and again in 1938, after which he was interned in Sachsenhausen concentration camp from 1940 to 1944.
In 1945 he went to Moscow, where he attended an anti-fascist school. Returning to Berlin in 1946, he became a professor of painting at the Dresden Academy of Fine Arts. In 1957 he published his autobiography, Zwischen Karneval und Aschermittwoch ("Between Shrovetide carnival and Ash Wednesday"). He was awarded the Heinrich Mann Prize in Berlin in 1958, the year of his death.

Hans Grundig (German, 1901-1958)
Am Stadtrand (On the outskirts)
1926

Hans Grundig (German, 1901-1958)
Girl with Pink Hat
1925

Hans Grundig (German, 1901-1958)
Lovers

Hans Grundig (German, 1901-1958)
Girl with Hat

Hans Grundig (German, 1901-1958)
Schoolboy (1923-4)

Hans Grundig (German, 1901-1958)
A Sign of the Future. Circa 1935

Hans Grundig 1901-1958 The Thousand Years Empire. Das Tausendjaehrige Reich
Left panel : Carnival 1935
Centre : Vision 1936;
Rigth : Chaos 1938
Predella : The sleepers 1938

Hans Grundig 1901-1958 The Thousand Years Empire. Das Tausendjaehrige Reich
Left panel : Carnival 1935
Centre : Vision 1936;
Rigth : Chaos 1938
Predella : The sleepers 1938

Hans Grundig 1901-1958 The Thousand Years Empire. Das Tausendjaehrige Reich
Left panel : Carnival 1935
(detail)

Hans Grundig 1901-1958 The Thousand Years Empire. Das Tausendjaehrige Reich
Left panel : Carnival 1935
Centre : Vision 1936;
Rigth : Chaos 1938
Predella : The sleepers 1938

Hans Grundig 1901-1958 The Thousand Years Empire. Das Tausendjaehrige Reich
Centre : Vision 1936;
(detail)

Hans Grundig 1901-1958 The Thousand Years Empire. Das Tausendjaehrige Reich
Left panel : Carnival 1935
Centre : Vision 1936;
Rigth : Chaos 1938
Predella : The sleepers 1938

Hans Grundig 1901-1958 The Thousand Years Empire. Das Tausendjaehrige Reich
Left panel : Carnival 1935
Centre : Vision 1936;
Rigth : Chaos 1938
Predella : The sleepers 1938

Hans Grundig — Portrait of Louise Hahn (1925)

Hans Grundig — Sheet Lightning (1928)

Hans Grundig — Day Labourer in Pomerania (1934)

Hans Grundig — The Boy in the City (1930)

Hans Grundig — At the Gate (1932)

Hans Grundig — To the Victims of Fascism (1946-7)

Hans Grundig — Against Atomic Death
Willem de Kooning
1904 – 1997

Willem de Kooning
Willem de Kooning (April 24, 1904 – March 19, 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter Elaine Fried.
In the years after World War II, de Kooning painted in a style that came to be referred to as abstract expressionism or "action painting", and was part of a group of artists that came to be known as the New York School. Other painters in this group included Jackson Pollock, Elaine de Kooning, Lee Krasner, Franz Kline, Arshile Gorky, Mark Rothko, Hans Hofmann, John Ferren, Nell Blaine, Adolph Gottlieb, Anne Ryan, Robert Motherwell, Philip Guston, Clyfford Still, and Richard Pousette-Dart. De Kooning's retrospective held at MoMA in 2011–2012 made him one of the best-known artists of the 20th century.

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning

Willem de Kooning
Antonio Berni
1905 – 1981

Delesio Antonio Berni
(14 May 1905 – 13 October 1981) was an Argentine figurative artist. He is associated with the movement known as Nuevo Realismo ("New Realism"), an Argentine extension of social realism. His work, including a series of Juanito Laguna collages depicting poverty and the effects of industrialization in Buenos Aires, has been exhibited around the world.
Delesio Antonio Berni

Juanito Laguna Aprende a Leer
Antonio Berni
1961

Behind the Curtain
Antonio Berni
1963

Ramona Y La Adivina
Antonio Berni
1976

Chelsea Hotel
Antonio Berni
1977

Juanito Laguna Ciruja
Antonio Berni
1978

LA NIÑA
Antonio Berni

Juanito Laguna
Antonio Berni

Juanito Laguna
Antonio Berni

La Familia De Juanito Laguna
Antonio Berni

Ramona Bataclana
Antonio Berni

Delesio Antonio Berni
RETRATO DE JUANITO LAGUNA

Delesio Antonio Berni
EN EL MAR

Delesio Antonio Berni
22 The World Promised To El Mundo Prometido a Juanito Laguna

Delesio Antonio Berni
Ramona se miro

Delesio Antonio Berni
Ramona

Delesio Antonio Berni
Ramona

Delesio Antonio Berni
Ramona

Delesio Antonio Berni
Ramona se miro

Delesio Antonio Berni
Ramona y otras mujeres.
Renato Guttuso
1911 – 1987
Renato Guttuso
(26 December 1911 – 18 January 1987) was an Italian painter and politician. His best-known works include Flight from Etna (1938–39), Crucifixion (1941) and La Vucciria (1974). Guttuso also designed for the theatre (including sets and costumes for Histoire du Soldat, Rome, 1940) and did illustrations for books. Those for Elizabeth David’s Italian Food (1954), introduced him to many in the English-speaking world. A fierce anti-Fascist, "he developed out of Expressionism and the harsh light of his native land to paint landscapes and social commentary".

Autoritratto
Renato Guttuso
1936

Renato Guttuso
Flight from Etna,
1939

Nudo sdraiato
Renato Guttuso
1940

Renato Guttuso
Crocifissione,
1940-1941

Uomo che mangia gli spaghetti
Renato Guttuso
1956

La Vucirria
Renato Guttuso
1974

Nudo femminile
Renato Guttuso
1976

Tre operai e una prostituta
Renato Guttuso
1979

Nudo - Ombra di Allen Jones
Renato Guttuso
1985

Ritratto di Marta Marzotto
Renato Guttuso

Renato Guttuso
Nude

Renato Guttuso
Falsari (Inferno, canto XXX),
1960

Nude Woman in the Studio, painting by Renato Guttuso

Renato Guttuso
Spes contra Spem Varese, Fondazione Francesco Pellin

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso

Renato Guttuso
Philip Guston
1913 – 1980

Philip Guston (born Phillip Goldstein, June 27, 1913 – June 7, 1980), was a Canadian American painter, printmaker, muralist and draftsman. Early in his five decade career, muralist David Siquieros described him as one of "the most promising painters in either the US or Mexico," in reference to his antifascist fresco The Struggle Against Terror, which "includes the hooded figures that became a lifelong symbol of bigotry for the artist." "Guston worked in a number of artistic modes, from Renaissance-inspired figuration to formally accomplished abstraction," and is now regarded one of the "most important, powerful, and influential American painters of the last 100 years." He also frequently depicted racism, antisemitism, fascism and American identity, as well as, especially in his later most cartoonish and mocking work, the banality of evil. In 2013, Guston's painting To Fellini set an auction record at Christie's when it sold for $25.8 million.
A founding figure in the mid-century New York School, which established New York as the new center of the global art world, Guston's work appeared in the famed Ninth Street Show and in the avant-garde art journal It is. A Magazine for Abstract Art. By the 1960s, Guston had renounced abstract expressionism and helped pioneer a modified form of representational art known as neo-expressionism. "Calling American abstract art 'a lie' and 'a sham,' he pivoted to making paintings in a dark, figurative style, including satirical drawings of Richard Nixon" during the Vietnam War as well as several paintings of hooded Klansmen, which Guston explained this way: "They are self-portraits … I perceive myself as being behind the hood … The idea of evil fascinated me … I almost tried to imagine that I was living with the Klan." The paintings of Klan figures were set to be part of an international retrospective sponsored by the National Gallery of Art; the Tate Modern; the Museum of Fine Arts, Houston; and the Museum of Fine Arts, Boston in 2020, but in late September, the museums jointly postponed the exhibition until 2024 "until a time at which we think that the powerful message of social and racial justice that is at the center of Philip Guston's work can be more clearly interpreted."

Martial Memory
Philip Guston
1941

The Young Mother
Philip Guston
1944

If This Be Not I
Philip Guston
1945

The Tormentors
Philip Guston
1948

Last Piece
Philip Guston
1958

Shoes
Philip Guston
1968

City Limits
Philip Guston
1969

The Studio
Philip Guston
1969

The Room
Philip Guston
1970

Bad habits
Philip Guston
1970

Roma
Philip Guston
1971

Painting, Smoking, Eating
Philip Guston
1972

Painter in Bed
Philip Guston
1973

Deluge II
Philip Guston
1975

Head and Bottle
Philip Guston
1975

Head
Philip Guston
1975

Ancient Wall
Philip Guston
1976

The Pit
Philip Guston
1976

Sleeping
Philip Guston
1977

Talking
Philip Guston
1979
Willem Hofhuizen
1915 – 1986
Willem Hofhuizen
(27 July 1915 – 23 December 1986) was a Dutch Expressionist painter.
Wilhelmus Johannes Maria (Willem) Hofhuizen was born in Amsterdam on 27 July 1915 but a few years later his parents moved to Roermond, where Willem spent his childhood at the Kapellerlaan. In 1931 he went to Nijmegen and then to Amsterdam to study at the teachers training college and later at the State Academy for the Visual Arts in Amsterdam, under Jurres and Campendonk. His fellow students at the Academy included Jaap Min, Karel Appel, Corneille and many others who would later rise to fame, as well as Jos Hagemeijer (1920–1991), whom he would later marry and who was a talented artist in her own right. However, it was the Kapellerlaan and the nearby chapel in Roermond that had the most profound impact on Hofhuizen's emotional development. There, he developed his emotional bond with the Catholic Church and his sense of the monumental. In Amsterdam, where he had his first workshop at the Lauriersgracht, he soon felt the urge to go the "Catholic south" of the Netherlands, far south, as he later told his friends. In 1944, during the Second World War, he moved to the "liberated" city of Deurne (where he stayed with Hendrik Wiegersma, general practitioner and fine artist, and Peer van den Molengraft, fine artist) at the request of industrialist and arts patron Henk te Strake and in 1946 he moved further south to the “Catholic” city of Maastricht, where he was to remain for the rest of his life. In Deurne his first son, Peter, was born. Later the Hofhuizens had a daughter, Josée, and another son, Domien.
Willem Hofhuizen had his second workshop in Maastricht at the Pieterstraat in the old mill above the workshop of Hubert Felix, a glazier. When this was to be demolished as part of a city redevelopment project, the municipality offered him all the space he wanted in the school for canal-boat children at the Lage Kanaaldijk, for a symbolic sum. There he continued to work and - after the judicial separation from his wife in 1956 - live, until his death on 23 December 1986. After his separation Tinie van Bragt - the wife of Tonnie van Bragt, professor at the Academy for the Visual Arts Jan van Eyck in Maastricht - cared for him for almost twenty years. She did his laundry for him and brought him food. To soften his grief and relieve his loneliness she sometimes came to read a book or exchange a few words with him at his house in the evening. Hofhuizen spent the last ten years of his life with his bosom friend, the painter Petran Vermeulen (1915–1988), and his dear friend Marianne Bakels. After Willem Hofhuizen’s death Petran Vermeulen said he wished that he, too, were dead. Two years later his wish was fulfilled.
Willem Hofhuizen went on study trips to Egypt, Italy, Spain, Portugal and also France, where he stayed in Paris for about a year.

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen

Willem Hofhuizen
Bernard Buffet
1928 – 1999
Bernard Buffet (10 July 1928 – 4 October 1999) was a French painter, printmaker, and sculptor.
He produced a varied and extensive body of work. His style was exclusively figurative. The artist enjoyed worldwide popularity early in his career but was shunned by art pundits later on.
Today, there is a renewed interest in Bernard Buffet's oeuvre. His works can be seen in the collections of the world's leading museums, including the Musée d'Art Moderne de Paris, the Tate, and the Museum of Modern Art.
Bernard Buffet was born in 1928. He hailed from a middle-class family with roots in Northern and Western France. His spent his childhood in Paris. His mother often took him to the Louvre Museum, where he got familiar with the works of Realist painters, such as Gustave Courbet. This is likely to have influenced his style. In 1955, he painted a work that paid tribute to Courbet's Le Sommeil.
Bernard Buffet was a student at the Lycée Carnot during the Nazi occupation of Paris. He travelled to drawings courses in the evenings despite the curfew imposed by the Nazi authorities. He then studied art at the École Nationale Supérieure des Beaux-Arts (National School of the Fine Arts) and worked in the studio of the painter Eugène Narbonne. Among his classmates were Maurice Boitel and Louis Vuillermoz. He met the French painter Marie-Thérèse Auffray and was influenced by her work.

Bernard Buffet

BERNARD BUFFET: THE NET MENDER. 1948. Paris. Galerie Maurice Garnier

Workshop (Atelier)
Bernard Buffet
1947

Deux hommes nus
Bernard Buffet
1947

Femme au poêle
Bernard Buffet
1947

Femme au poulet
Bernard Buffet
1947

Lapin et casserole rouge
Bernard Buffet
1948

Piéta
Bernard Buffet
1948

La barricade
Bernard Buffet
1949

Still Life with Fish, II
Bernard Buffet
1949

The Horror of War (1954) by Bernard Buffet

The Horror of War by Bernard Buffet

The Horror of War by Bernard Buffet

The Horror of War by Bernard Buffet

Bernard Buffet

Bernard Buffet

Horreur de la guerre: Les fusillés
Bernard Buffet
1954

The Horror of War by Bernard Buffet

Bernard Buffet

The Horror of War by Bernard Buffet

Bernard Buffet

Bernard Buffet

The Horror of War by Bernard Buffet

La Passion du Christ by Bernard Buffet

La Passion du Christ by Bernard Buffet

La Passion du Christ by Bernard Buffet

La casserole rouge
Bernard Buffet
1951

La poissonnerie
Bernard Buffet
1951

Le travesti
Bernard Buffet
1953

Le cirque: Acrobate à la bicyclette
Bernard Buffet
1955

Le cirque: Deux Clowns
Bernard Buffet
1955

Tete the Clown
Bernard Buffet
1955

Le sommeil d'après Courbet
Bernard Buffet
1955

Les Ecorchés: Tête d'écorché
Bernard Buffet
1964

Tête rousse
Bernard Buffet
1967

L'enfer de Dante: Damnes pris dans les glaces
Bernard Buffet
1976

Autoportrait n° 11
Bernard Buffet
1981

Don Quichotte: Les duegnes
Bernard Buffet
1988

Laissez les jacasser
Bernard Buffet
1990

La Mort #5
Bernard Buffet
1999