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Edward Burne-Jones
1833 - 1898

Sir Edward Coley Burne-Jones, 1st Baronet, (28 August, 1833 – 17 June, 1898) was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter.

Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts.

Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement.

In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the production of which was a revived craft during the 19th century. His designs are still to be found in churches across the UK, with examples in the US and Australia.

 

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Photogravure of a portrait of Edward Burne-Jones by his son Philip Burne-Jones,
1898

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Portrait of Georgiana Burne-Jones, with Philip and Margaret
1883

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The Last Sleep of Arthur in Avalon
between 1881 and 1898

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Sidonia von Borcke
1860

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The Beguiling of Merlin
1874

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The Beguiling of Merlin
1874

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The Princess Sabra Led to the Dragon
1866

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Portrait of Maria Zambaco
1870

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Phyllis and Demophoön
1870

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Temperantia
1872

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Pan and Psyche
1874

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An Angel Playing a Flageolet
1878

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The Heart Desires
1868–1870

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The Hand Refrains
1868–1870

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The Godhead Fires
1868–1870

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The Soul Attains
1868–1870

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The Love Song
1868-77

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"The Briar Wood" from the "Legend of Briar Rose"
1890

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"The Council Chamber" from the "Legend of Briar Rose"

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"The Garden Court" from the "Legend of Briar Rose"

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"The Rose Bower" from the "Legend of Briar Rose"

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The Garden of Pan
1886-87

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Love Among the Ruins
1873

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The Mirror Of Venus
1898

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Garden of the Hesperides

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The Wine of Circe
1900

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The Call of Perseus
1877

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The Arming of Perseus 
1885

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The Baleful Head (The Perseus Cycle)
Perseus holding Medusa's head in his left hand. He is encouraging Andromeda to look at its reflection in a well so that she will not be turned to stone by Medusa's gaze.

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The Finding of Medusa
1882

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The Death of Medusa
1882

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The Rock of Doom
1885-1888

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The Doom Fulfilled
1888

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Atlas Turned to Stone
1878

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Perseus and Andromeda 





 

John William Waterhouse
1849 - 1917

John William Waterhouse (6 April 1849 – 10 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His paintings are known for their depictions of women from both ancient Greek mythology and Arthurian legend. A high proportion depict a single young and beautiful woman in a historical costume and setting, though there are some ventures into Orientalist painting and genre painting, still mostly featuring women.

Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art Schools. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Many of his paintings are based on authors such as Homer, Ovid, Shakespeare, Tennyson, or Keats.


 

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John William Waterhouse,
c. 1886

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A Street Scene in Cairo
1873

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Miranda
1875

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The Remorse of the Emperor Nero after the Murder of his Mother
1878

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Dolce far Niente
1880

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Diogenes
1882

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Consulting the Oracle
1884

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The Magic Circle
1886

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The Lady of Shalott
1888

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Cleopatra
1888

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Ophelia
1889

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Circe Offering the Cup to Ulysses
1891

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Ulysses and the Sirens
1891

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Circe Invidiosa
1892

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A Naiad or Hylas with a Nymph
1893

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The Lady of Shalott Looking at Lancelot
1894

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Ophelia
1894

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Hylas and the Nymphs
1896

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Pandora
1896

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Ariadne
1898

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The Siren
1900

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Destiny
1900

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The Lady Clare
1900

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Nymphs Finding the Head of Orpheus
1900

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The Mermaid
1901

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Boreas
1903

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Echo and Narcissus
1903

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Gather Ye Rosebuds While Ye May…
1908

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Gather Ye Rosebuds While Ye May
1909

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The Sorceress
c. 1911-1915

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Penelope and the Suitors
1912

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Tristan and Isolde
1916






 

John Collier
1850 - 1934

John Maler Collier (27 January 1850 – 11 April 1934) was a British painter and writer. He painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. Both of his marriages were to daughters of Thomas Henry Huxley. He was educated at Eton College, and he studied painting in Paris with Jean-Paul Laurens and at the Munich Academy starting in 1875.


 

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Collier, Marian - Portrait of John Collier - circa 1882-1883

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The Laboratory
1895

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Collier's first wife, Marian Huxley, painted by her husband in 1883

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Lady Godiva
1898

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Circe
1885

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Angela McInnes
1914

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Clytemnestra after the Murder
1882

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Tannhäuser in the Venusberg
1901

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Lilith
1887

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Cassandra
1885

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All Hallowe'en
1895

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Priestess of Delphi

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The Death of Cleopatra
1890

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The Pharaoh's Handmaidens
1883

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Mrs Osborne

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Eve
1911

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Horace and Lydia
1890






 

Edward Robert Hughes
1851 - 1914

Edward Robert Hughes (5 November 1851 – 23 April 1914) was a British painter, who primarily worked in watercolours, but also produced a number of oil paintings. He was influenced by his uncle and artist, Arthur Hughes who was associated with the Pre-Raphaelite Brotherhood, and worked closely with one of the Brotherhood's founders, William Holman Hunt.

 

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Edward Robert Hughes
(photograph by Maull & Co., c. 1870)

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Midsummer Eve
1908

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Dream Idyll (A Valkyrie)
c. 1902

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Heart of Snow

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Idle Tears

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Night with her Train of Stars

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Summer Fantasy

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The Valkyrie's Vigil

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A Young Beauty

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Hilda Virtue Tebbs
1897

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Diana's Maidens
1898

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Wings of the Morning

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Monna giovanna

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Oh, co je v té díře...?

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The Princess Out of School

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With the Wind

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Day

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In Dreams






 

Thomas Cooper Gotch
1854–1931

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Thomas Cooper Gotch, self-portrait

 

Thomas Cooper Gotch
(1854–1931) was an English painter and book illustrator loosely associated with the Pre-Raphaelite movement; he was the brother of John Alfred Gotch, the architect.

Gotch studied art in London and Antwerp before he married and studied in Paris with his wife, Caroline, a fellow artist. Returning to Britain, they settled into the Newlyn art colony in Cornwall. He first made paintings of natural, pastoral settings before immersing himself in the romantic, Pre-Raphaelite romantic style for which he is best known. His daughter was often a model for the colourful depictions of young girls.

His works have been exhibited at the Royal Academy, Royal College of Art and the Paris Salon.
Thomas Gotch was born 10 December 1854 in the Mission House in Kettering, Northamptonshire. He was the fourth son born to Mary Ann Gale Gotch and Thomas Henry Gotch (born 1805), who was a shoe maker. He had an elder brother, John Alfred Gotch, who was a successful architect and author.

In 1881 he married fellow art student Caroline Burland Yates (1854–1945) at Newlyn's St Peter's Church. His daughter, Phyllis Marion Gotch was sometimes a model for her father. After completing his studies, Gotch travelled to Australia in 1883. Gotch and his wife settled in Newlyn, Cornwall in 1887. The couple and their daughter were key participants in the Newlyn art colony.

In addition to his time spent in France and Belgium while studying art, Gotch also travelled to Austria, Australia, South Africa, Italy and Denmark.

Thomas Cooper Gotch died on 1 May 1931 of a heart attack while in London for an exhibition. He was buried in Sancreed churchyard in Cornwall.


 

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My crown and sceptre 

 

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Heir to all the Ages

 

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Study of a Young Woman


 

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The Child Enthroned


 

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Destiny

 

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Death the Bride



 

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The Dancing Lesson


 

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The Mother Enthroned


 

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A Cottage Interior, Newlyn  


 

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The Awakening



 

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The Message


 

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Monseigneur Love


 

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Holy Motherhood





 

Evelyn De Morgan
1855 - 1919

Evelyn De Morgan (30 August 1855 – 2 May 1919) was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement, and working in a range of styles including Aestheticism and Symbolism. Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors (such as light and darkness, transformation, and bondage) to express what several scholars have identified as spiritualist and feminist content. Her later works also dealt with the themes of war from a pacifist perspective, engaging with conflicts such as the Second Boer War and World War I.


 

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Photo of Evelyn De Morgan

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Our Lady of Peace
1907

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Queen Eleanor and Fair Rosamund

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Night and Sleep
1878

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The Storm Spirits
c. 1900

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The Love Potion
1903

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Helen of Troy
1898

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Cassandra

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Cadmus and Harmonia

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The Gilded Cage
1919





 

Frank Cadogan Cowper
1877 – 1958

Frank Cadogan Cowper
(16 October 1877 – 17 November 1958) was an English painter and illustrator of portraits, historical, and literary scenes, described as "The last of the Pre-Raphaelites".
Cowper was born in Wicken, Northamptonshire, son of an author and early pioneer of coastal cruising in yachts, Frank Cowper, and grandson of the rector of Wicken. He first studied art at St John's Wood Art School in 1896 and then went on to study at the Royal Academy Schools from 1897 to 1902. He first exhibited at the Royal Academy in 1899, and achieved critical success two years later with his An Aristocrat answering the Summons to Execution, Paris 1791 (1901). In 1902, he spent six months studying under Edwin Austin Abbey before travelling to Italy.

He worked in both watercolours and oils, and also worked as book illustrator – providing the illustrations for Sir Sidney Lee's The Imperial Shakespeare. He contributed to a mural in the Houses of Parliament in 1910 along with Byam Shaw, Ernest Board and Henry Arthur Payne.

As art fashion changed Cowper increasingly exhibited his portrait paintings but still continued to produce historical and literary works.

He retired from London to Gloucestershire. His The Ugly Duckling was voted the favourite painting by visitors to the Cheltenham Art Gallery & Museum in 2005.

The record price for a Cowper painting at sale is £469,250 for Our Lady of the Fruits of the Earth (1917) at Christie's in London on 17 December 2011.


 

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Self-portrait of the artist (1899) - Frank Cadogan Cowper

 

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Molly, Dutchess of Nona
Frank Cadogan Cowper
1905


 

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Vanity
Frank Cadogan Cowper
1907


 

Rapunzel
Frank Cadogan Cowper
1908


 

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The Blue Bird
Frank Cadogan Cowper
1918


 

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Vanity II
Frank Cadogan Cowper
Original Title: Vanity
1919


 

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Titania Sleeps
Frank Cadogan Cowper
1928


 

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Venetian Ladies Listening to a Serenade
Frank Cadogan Cowper


 

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La Belle Dam Sans Merci
Frank Cadogan Cowper
1924


 

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The Golden Bowl
Frank Cadogan Cowper
1956


 

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Mariana in the South
Frank Cadogan Cowper


 

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Mariana in the South
Frank Cadogan Cowper


 

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Lancelot Slays the Caitiff Knight Sir Tarquin and Rescues the Fair Lady and the Knight in Captivity
Frank Cadogan Cowper


 

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The Ugly Duckling
Frank Cadogan Cowper



 

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