
Fauvism - II
Kees van Dongen
1877 – 1968
Cornelis Van Dongen
Cornelis Theodorus Maria "Kees" van Dongen (26 January 1877 – 28 May 1968) was a Dutch-French painter who was one of the leading Fauves. Van Dongen's early work was influenced by the Hague School and symbolism and it evolved gradually into a rough pointillist style. From 1905 onwards – when he took part at the controversial 1905 Salon d'Automne exhibition – his style became more and more radical in its use of form and colour. The paintings he made in the period of 1905–1910 are considered by some to be his most important works. The themes of his work from that period are predominantly centered on the nightlife; he paints dancers, singers, masquerades, and theatre. Van Dongen gained a reputation for his sensuous – at times garish – portraits of especially women.

Van Dongen in his studio c. 1910

Kees van Dongen. Fernande Olivier

Kees van Dongen. Kees van Dongen, Tableau [Augusta Preitinger, the artist's wife], 1913

Kees van Dongen. The Archangel Tango 1930

Kees van Dongen. Fernande Olivier

Kees van Dongen. Untitled

Kees van Dongen. Portrait of a Woman

Kees van Dongen. Nude

Kees van Dongen. La Femme au Jabot (Woman with Frill), c. 1911

Kees van Dongen. La robe rose (Ève Francis), c. 1919

Kees van Dongen. The Sphinx, 1920

Kees van Dongen. The Corn Poppy 1919

Kees van Dongen. Portrait of Lily Damita, the Actress 1925

Kees van Dongen. The Red Dancer 1907

Kees van Dongen. Indian Dancer 1907

Kees van Dongen. La Parisienne de Montmartre 1911

Kees van Dongen. Parisienne

Kees van Dongen. Les escarpins mauves

Kees van Dongen. Les lutteuses (Lutteuses du Tabarin), 1907–08

Kees van Dongen. Femme aux bas noirs (Woman with Black Stockings), c. 1907
Raoul Dufy
1877 – 1953
Raoul Dufy
(French: [ʁa.ul dy.fi]; 3 June 1877 – 23 March 1953) was a French Fauvist painter. He developed a colorful, decorative style that became fashionable for ceramics and textile designs, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, furniture designer and a planner of public spaces.

Raoul Dufy. Self Portrait

Boats at Martigues
Raoul Dufy
c.1908

Bathers
Raoul Dufy
1908

The Woman in Pink
Raoul Dufy
1908

Houses in Munich
Raoul Dufy
1909

Nude
Raoul Dufy
1909

The studio on Seguier street
Raoul Dufy
1909

Large Bather
Raoul Dufy
1914

The trapeze artists
Raoul Dufy
1922

Landscape of Esterel
Raoul Dufy
1926

Casino of Nice
Raoul Dufy
1927

Indian Model in the Studio at l'impasse Guelman
Raoul Dufy
1928

Indian woman
Raoul Dufy
1928

Naked
Raoul Dufy
1928

The casino of Nice
Raoul Dufy
1929

Chateau and Horses
Raoul Dufy
1930

Boats at Martigues
Raoul Dufy
c.1908

Portrait of Mrs. Dufy
Raoul Dufy
1930

Standing Nude
Raoul Dufy
1930

The Two Models
Raoul Dufy
1930

Nude with seashell
Raoul Dufy
1933

Regatta at Cowes
Raoul Dufy
1934

The sea in Deauville
Raoul Dufy
1935

Amphitrite
Raoul Dufy
1936

Anemones
Raoul Dufy
1937

Homage to Claude Debussy
Raoul Dufy
1952

Still life with violin: Hommage to Bach
Raoul Dufy
Original Title: Nature morte au violin: Homage a Bach
1952

Anemones
Raoul Dufy
1953
Othon Friesz
1879 – 1949
Othon Friesz

Achille-Émile Othon Friesz (6 February 1879 – 10 January 1949), who later called himself Othon Friesz, a native of Le Havre, was a French artist of the Fauvist movement.
Othon Friesz was born in Le Havre, the son of a long line of shipbuilders and sea captains. He went to school in his native city. It was while he was at the Lycée that he met his lifelong friend Raoul Dufy. He and Dufy studied at the Le Havre School of Fine Arts in 1895-96 and then went to Paris together for further study. In Paris, Friesz met Henri Matisse, Albert Marquet, and Georges Rouault. Like them, he rebelled against the academic teaching of Bonnat and became a member of the Fauves, exhibiting with them in 1907. The following year, Friesz returned to Normandy and to a much more traditional style of painting, since he had discovered that his personal goals in painting were firmly rooted in the past. He opened his own studio in 1912 and taught until 1914 at which time he joined the army for the duration of the war. He resumed living in Paris in 1919 and remained there, except for brief trips to Toulon and the Jura Mountains, until his death in 1949.
During the last thirty years of his life, he painted in a style completely removed from that of his earlier colleagues and his contemporaries. Having abandoned the lively arabesques and brilliant colors of his Fauve years, Friesz returned to the more sober palette he had learned in Le Havre from his professor Charles Lhuillier and to an early admiration for Poussin, Chardin, and Corot. He painted in a manner that respected Cézanne's ideas of logical composition, simple tonality, solidity of volume, and distinct separation of planes. A faint baroque flavor adds vigor to his (most well-known) landscapes, still lifes, and figure paintings.
Othon Friesz died in Paris. He is buried in the Cimetière du Montparnasse in Paris.

Paysage à La Ciotat, 1907

Le Travail à l'Automne, 1907–1908

Les Baigneuses des Andelys (The Bathers of Andelys), 1908

Roofs and Cathedral in Rouen, 1908

Landscape with Figures, 1909


Paresse
(Paresse)
Achille Emile Othon Friesz
Landscape with Figures, 1909

The Lady on the Terrace (1914)
Emile Othon Friesz

Les Baigneuses (1929)
Emile Othon Friesz

Mother’s Love (1914)
Emile Othon Friesz

Temptation (Adam and Eve)
(Versuchung (Adam und Eva))
Achille Emile Othon Friesz

Nudes on the Banks of the Lac d'Annecy
(Akte an den Ufern des Lac d'Annecy)
Achille Emile Othon Friesz

La Baie du Bec de l’Aigle, La Ciotat (1907)
Emile Othon Friesz
André Derain
1880 – 1954
André Derain (/dəˈræ̃/, French: [ɑ̃dʁe dəʁɛ̃]; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse.
Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 he began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian.

Andre Derain
Self-Portrait

Ball of soldiers in Suresnes
Andre Derain
1903

The Bridge at Le Pecq
Andre Derain
1904 - 1905

Boats at Collioure
Andre Derain
1905

Barges on the Thames
Andre Derain
1906

Bacchus dance
Andre Derain
1906

The Gavotte
Andre Derain
1906

Charing Cross Bridge
Andre Derain
c.1906

Effect of Sun on the Water, London
Andre Derain
1906

Figures from a Carnival
Andre Derain
c.1906

The Dance
Andre Derain
1906

Bathers
Andre Derain
1907

Bathers
Andre Derain
c.1908

Bathers
Andre Derain

The Dancer
Andre Derain
c.1910

Portrait of a Young Girl in Black
Andre Derain
c.1914

Table
Andre Derain
c.1922

The female nude in front of green hanging
Andre Derain
1923

The nude female near the cat
Andre Derain
1923

Harlequin and Pierrot
Andre Derain
1924

Female nude with a jug
Andre Derain
c.1925

Young girl
Andre Derain
1925

Portrait of Madame Paul Guillaume with a large hat
Andre Derain
c.1928

Nu
Andre Derain

Le Samedi
Andre Derain

Two naked women and still life
Andre Derain
1935

The clearing, or the luncheon on the grass
Andre Derain
1938

The Surprise
Andre Derain
1938

The girl cutting apple
Andre Derain
1938

The Still life with Pumpkin
Andre Derain
1939

Female nude holding apple
Andre Derain
1941

Female nude
Andre Derain

The river
Andre Derain
Marcel Gromaire
1892 – 1971

Marcel GROMAIRE
Paysage à la huppe (Landscape with hoopooe)

Marcel Gromaire
(24 July 1892 – 11 April 1971) was a French painter. He painted many works on social subjects and is often associated with Social Realism, but Gromaire can be said to have created an independent oeuvre distinct from groups and movements.
Marcel Gromaire, whose father was an educator in Paris, was born in Noyelles-sur-Sambre, France. He studied classically at Douai, then continued his studies in Paris, receiving his Baccalauréat in Law in 1909, a judiciary career path he quickly abandoned. He frequented studios in Montparnasse and attended classes at Académie de La Palette. In 1912, he performed his military service in Lille. He was wounded in 1916 in the Battle of the Somme.
Gromaire returned to Paris. Working in a Paris studio, he painted the reality of his studio and its light and contents, using dark ochres and browns. He used his studio as a standard, a filter; it was more than just a place to paint.
A meeting with a collector, Doctor Girardin, established his career as an artist when he purchased the entirety of the work of Gromaire. When Girardin died in 1953, the Museum of Modern Art in Paris received 78 oil paintings as well as a collection of watercolours.
Gromaire was recognized very early by galleries and museums. Already in 1931 Pierre Matisse exhibited Gromaire's work at the inauguration of his New York gallery. In 1933, a retrospective at the Kunsthalle de Baie established the importance of his body of works. In 1937, his work was exhibited by orders of the State at the Paris Exposition Internationale.
Gromaire painted a little over seven hundred canvases, an average of about ten per year.
He also taught, and his pupils included the painter and sculptor Jeanne Patterson Miles.

Marcel GROMAIRE
Summer is here

Marcel GROMAIRE
The War 1925

Marcel GROMAIRE
Les Chiffonniers (The Ragmen)

Marcel GROMAIRE
Nu

Marcel GROMAIRE
Nu

Marcel GROMAIRE
Les paysannes au bain

Marcel GROMAIRE
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Marcel GROMAIRE
Nude

Marcel GROMAIRE
Etude de nu assis - 1929

Marcel GROMAIRE
Petit nu sur fond doré

Marcel GROMAIRE
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