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Giovanni Boldini
1842 – 1931

Giovanni Boldini (31 December 1842 – 11 January 1931) was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting.
Boldini was born in Ferrara, Italy on 31 December 1842. He was the son of a painter of religious subjects, and the younger brother of architect Luigi (Louis) Boldini. In 1862, he went to Florence for six years to study and pursue painting. He only infrequently attended classes at the Academy of Fine Arts, but in Florence, met other realist painters known as the Macchiaioli, who were Italian precursors to Impressionism. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known.
Moving to London, Boldini attained success as a portraitist. He completed portraits of distinguished members of society including Lady Holland and the Duchess of Westminster. From 1872 he lived in Paris, where he became a friend of Edgar Degas. He became the most fashionable portrait painter in Paris in the late 19th century, with a dashing style of painting which shows some Macchiaioli influence and a brio reminiscent of the work of younger artists, such as John Singer Sargent and Paul Helleu.

He was nominated commissioner of the Italian section of the Paris Exposition in 1889, and received the Légion d'honneur for this appointment. In 1897 he had a solo exhibition in New York. He participated in the Venice Biennale in 1895, 1903, 1905, and 1912.

Boldini died in Paris on 11 January 1931.


 

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Self-Portrait


 

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Lady with a Black Hat


 

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Portrait Of Madame Juillard In Red


 

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Count Robert de Montesquiou


 

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La Donna in Rosa


 

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Portrait of Madame Josephina Alvear de Errazuriz


 

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The Countess Ritzer


 

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Naked Young Lady with Blanket


 

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Reclining Nude


 

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Reclining Nude


 

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Nude


 

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Young Dark Lady


 

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Alla Toeletta


 

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Reclining Nude


 

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The Hammock


 

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Portrait Of Emiliana Concha De Ossa


 

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Portrait of Mlle de Gillespie


 

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L'attrice Alice Regnault


 

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Portrait of Madame Georges Hugo and her Son, Jean


 

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The Black Sash


 

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Portrait of Rita de Acosta Lydig


 

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Girl In A Black Hat


 

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The Lady Pianist


 

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Giuseppe Verdi


 




 

Eugene de Blaas
1843 – 1932

Eugene de Blaas (24 July 1843 – 10 February 1932) was an Italian painter in the school known as Academic Classicism. He was born at Albano, near Rome, to Austrian parents. His father Karl, a Jew and also a painter, was his teacher. The family moved to Venice when Karl became Professor at the Academy in Venice. He often painted scenes in Venice. He became professor in the Academy of Venice.

His colorful and rather theatrical period images of Venetian society, e.g. On the Balcony (1877; Private Collection), were quite different to delicate pastels and etchings of the courtyards, balcony and canals of modern Venice.

Eugene de Blaas' paintings are collected at the Royal Academy, Fine Art Society, New Gallery and Arthur Tooth and Sons Gallery in London, and also at the Walker Art Gallery in Liverpool.


 

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Self-Portrait


 

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Venetian Flower Seller


 

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Young Lady


 

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Ladies on a Balcony


 

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Catch of the Day


 

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Daydreaming


 

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Two Venetian Women


 

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The Watercarrier


 

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De Musette


 

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The Flirtation


 

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The Red Fan


 

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An interesting Story


 

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Chat


 

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God's Creatures


 

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In the Water


 

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The Milkmaid


 

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A Helping Hand


 

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Portrait of a Venetian Lady


 

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The Flirtation


 

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Gathering Shells


 

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Musette






 

Mary Cassatt
1844–1926

Mary Stevenson Cassatt (May 22, 1844 – June 14, 1926) was an American painter and printmaker. She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), but lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot. In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.
 

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Self-Portrait


 

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Girl Arranging Her Hair
1886


 

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Lilacs in a Window
1880


 

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Tea


 

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Woman at her Toilette


 

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Mother, Sara and the Baby


 

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The Family


 

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The Bath
1891


 

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Reine Lefebvre Holding a Nude Baby


 

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Motherhood
1890


 

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Baby's First Caress
1891


 

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Auguste Reading to Her Daughter


 

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Children on the Shore
1885






 

Jean Beraud
1849 – 1935

Jean Béraud (12, 1849 – October 4, 1935) was a French painter renowned for his numerous paintings depicting the life of Paris, and the nightlife of Paris society. Pictures of the Champs Elysees, cafés, Montmartre and the banks of the Seine are precisely detailed illustrations of everyday Parisian life during the "Belle Époque". He also painted religious subjects in a contemporary setting.

Béraud became a student of Léon Bonnat, and exhibited his paintings at the Salon for the first time in 1872. However, he did not gain recognition until 1876, with his On the Way Back from the Funeral. He exhibited with the Society of French Watercolorists at the 1889 World's Fair in Paris.
He painted many scenes of Parisian daily life during the Belle Époque in a style that stands somewhere between the academic art of the Salon and that of the Impressionists. He received the Légion d'honneur in 1894.

Béraud's paintings often included truth-based humour and mockery of late 19th-century Parisian life, along with frequent appearances of biblical characters in then contemporary situations. Paintings such as Mary Magdalene in the House of the Pharisees aroused controversy when exhibited, because of these themes.

Towards the end of the 19th century, Béraud dedicated less time to his own painting but worked on numerous exhibition committees, including the Salon de la Société Nationale. Béraud never married and had no children. He died in Paris on October 4, 1935, and is buried in Montparnasse Cemetery beside his mother.


 

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Self portrait


 

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Symphony in Red and Gold

 

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A Windy Day on the Pont des Arts


 

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Blanche Vesnić (née Ulman)


 

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Le Cafe de Paris


 

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The Drinkers


 

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The Milliner on the Champs Elysées


 

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Sortant De La Madeleine, Paris


 

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l'Église de la Sainte-Trinité


 

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Jeune femme traversant le boulevard


 

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Parisienne place de la Concorde





 

William Merritt Chase
1849 - 1916

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William Merritt Chase (November 1, 1849 - October 25, 1916) was an American painter known as an exponent of Impressionism and as a teacher.

He was born in Williamsburg (now Nineveh), Indiana, to the family of a local merchant. Chase's father moved the family to Indianapolis in 1861 and employed his son as a salesman in the family business. Chase showed an early interest in art, and studied under local, self-taught artists Barton S. Hays and Jacob Cox.

After a brief stint in the Navy, Chase's teachers urged him to travel to New York to further his artistic training. He arrived in New York in 1869, met and studied with Joseph Oriel Eaton for a short time, then enrolled in the National Academy of Design under Lemuel Wilmarth, a student of the famous French artist Jean-Leon Gerome.



 

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Peonies


 

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A Friendly Call, 1895


 

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Mrs Chase Playing the Piano, 1883


 

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A Study in Curves


 

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The Song


 

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Modern Magdalen


 

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Idle Hours


 

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In The Studio, c. 1892–3


 

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The Blue Kimono


 

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Portrait of Miss Dora Wheeler, 1883


 

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The Model


 

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Ordering Lunch by the Seaside


 

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Connoisseur


 

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The Red Gown

 

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