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Expressionism - V 

Moses Kisling
1891 – 1953

Moses Kisling (born Mojżesz Kisling; 22 January 1891 – 29 April 1953) was a Polish-born French painter. He moved to Paris in 1910 at the age of 19, and became a French citizen in 1915, after serving and being wounded with the French Foreign Legion in World War I. He emigrated to the United States in 1940, after the fall of France, and returned there in 1946.

Born in Kraków, Austria-Hungary on 22 January 1891 to Jewish Parents. He studied at the Academy of Fine Arts in Krakow with Jozef Pankiewicz. His teachers encouraged the young man to go to Paris, France, considered the international center for artistic creativity in the early 20th century. In 1910, Kisling moved to Montmartre in Paris initially living on Rue des Beaux-Arts, and a few years later to Montparnasse.

At the outbreak of World War I, he volunteered for service in the French Foreign Legion. After being seriously wounded in 1916 in the Battle of the Somme, he was awarded French citizenship.
 

He married Renée Kisling (née Gros) in 1916, and together they had two sons, Jean (1922) and Guy Kisling (1922)

Kisling lived and worked in Montparnasse and as part of its renowned artistic community, he joined an émigré community of Americans, British and Eastern European artists. Most of the French kept to themselves, although the artistic community was international.

He became close friends with many of his contemporaries, including Amedeo Modigliani, who painted a portrait of him in 1916 (in the collection of the Musée d'Art Moderne de la Ville de Paris). His style in painting landscapes is similar to that of Marc Chagall. A master at depicting the female body, his surreal nudes and portraits earned him the widest acclaim.

Kisling volunteered for army service again in 1940 during World War II, although he was 49. When the French Army was discharged after the surrender to the Germans, Kisling emigrated to the United States. He rightly feared for his safety as a Jew in occupied France. He exhibited in New York City and Washington. He settled in Southern California, and had his first art exhibition there in 1942. The Kisling family lived next door to Aldous Huxley and his family in Southern California, where they stayed there until 1946.

Under the Vichy government, certain critics suggested too many foreigners, especially Jews, were diminishing French traditions. Their comments were part of a rise in anti-Semitism during the German occupation, resulting in French cooperation in the deportation and deaths of tens of thousands of foreign and French Jews in concentration camps. Kisling returned to France after the war and defeat of Germany.

Moïse Kisling died at his house in Bandol, Var, Provence-Alpes-Côte d'Azur, France on 29 April 1953. He had been ill with stomach issues for ten days, prior to his death.


 

Depictions of the  Moïse Kisling
 

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Moïse Kisling with fashion model Paquerette and Pablo Picasso, photographed by Jean Cocteau in 1916 at Café de la Rotonde, 105 Boulevard du Montparnasse, August 1916

 

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Pablo Picasso and Moïse Kisling in Paris, photographed by Jean Cocteau, 12 August 1916

 

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Photo of Kisling with model - c.1935

 

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Amedeo Modigliani
Portrait of Moïse Kisling, 1915

 

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Amedeo Modigliani
Portrait of Moïse Kisling, 1918

 

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Roman Kramsztyk
Portrait Moise Kisling 1913.



 

Moïse Kisling - Gallery
 

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Moïse Kisling, 1916, La Sieste à Saint-Tropez (Kisling with Renée)

 

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Moïse Kisling, 1913, Nu sur un divan noir

 

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Moïse Kisling, 1917, Bateaux à voile, Saint Tropez

 

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Moïse Kisling, c.1920, Le pêcheur (The Fisherman)

 

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Moïse Kisling, c.1919, Paysage de Provence

 

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Moïse Kisling. Ofelia

 

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Moïse Kisling, Nude blonde

 

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Moïse Kisling, Small head brunette

 

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Moïse Kisling, Golden hair

 

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Moïse Kisling, 
Red Girl

 

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Moïse Kisling, 
Still Life Loeuf

 

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Moïse Kisling, Trees

 

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Moïse Kisling, Port

 

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Nude Of Arletty
Moses Kisling
1933

 

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Moïse Kisling, Nu alongée sur l'herbe - c.1930

 

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Moïse Kisling, Nu assis - 1942

 

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Moïse Kisling, The woman in red

 

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Moïse Kisling, Bouquet

 

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Moïse Kisling, Reclining nude
 

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Moïse Kisling. Untitled

 

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Moïse Kisling. Untitled

 

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Moïse Kisling, PORTRAIT DE MAURICIA COQUIOT, 1925

 

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Moïse Kisling, Nude in landscape

 

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Moïse Kisling, Still life

 

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Moïse Kisling, Lying nude

 

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Moïse Kisling, Sitting nude

 

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Moïse Kisling, Reclining nude

 

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Moïse Kisling, An acrobat

 

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Moïse Kisling, Reclining nude

 

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Moïse Kisling, Portrait of a Young Woman

 

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Moïse Kisling, 
Stoyashaya Obnazhennayasm

 

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Moïse Kisling, 
Girl Sitting Seat

 

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Moïse Kisling, Provanssm

 

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Moïse Kisling, 
Zhenschiny Belym S Vorotnichkom

 

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Moïse Kisling, Portrait of Jean Cocteau



 

Moïse Kisling 
Portraits de Madame Renée Kisling

 

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Amedeo Modigliani
Madame Kisling, c. 1917


 

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Moïse Kisling, Portrait of Mrs Renee Kisling

 

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Moïse Kisling, Self-portrait with his wife Renee and dog Kouski

 

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Moïse Kisling, Portrait de Marguerite Gros, sœur de Mme Renée Kisling , 1919

 

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Moïse Kisling, 
Portrait of Renée Kisling

 

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Moïse Kisling, 
Portrait of Madame Renée Kisling

 

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Moïse Kisling, 
Portrait of Madame Renée Kisling

 

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Moïse Kisling, 
Portrait of Madame Renée Kisling




 

Moïse Kisling 
Portraits Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse

 

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Moïse Kisling,  Nu assis, 1923
Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse

 

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Moïse Kisling, 
Kiki de Montparnasse






 

Otto Pankok
1893 – 1966

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Otto Pankok
(6 June 1893 – 10 October 1966) was a German painter, printmaker, and sculptor.
Pankok was born in Mülheim on the Ruhr. In 1912 he began his formal training as an artist at the Art Academies in Düsseldorf and Weimar. After only a few months he left the Weimar Academy, where his teachers were Fritz Mackensen and Albin Egger-Lienz, and went on a study trip to the Netherlands with Werner Gilles. Afterwards (1914), he spent two months in Paris, where he attended the Académie russe and the Académie de la Grande Chaumière. Between 1914 and 1917 he was a soldier in France in World War I.

Returning to Düsseldorf in 1919, he was a founder of the "Junge Rheinland" (Young Rhineland) group. With Otto Dix, Gert Heinrich Wollheim, and Adolf Uzarski, among others, he was one of the painters championed by the art dealer Johanna Ey. In 1921 he married the journalist Hulda Droste and their daughter Eva was born in 1925.

When Hitler came to power in 1933, Pankok was declared a degenerate artist. Subsequently, 56 of his pictures were seized from museums, some of which were included in the infamous exhibition Entartete Kunst (Degenerate Art), mounted by the Nazis in Munich in 1937.

Following the war (from 1947 to 1958) he was a professor at the Academy of Fine Arts in Düsseldorf, where Günter Grass, Gotthard Graubner and Günther Uecker were among his students.

After retirement, he moved to Haus Esselt in Drevenack, where after his death a selection from his work with archive was set up in a museum showing. Except in the years of the Nazi regime, Pankok traveled extensively and painted on his journeys. He died in Wesel.

In 1934, Otto Pankok completes The Passion, sixty very large charcoal drawings, as a protest against Nazism.

 

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Chaim Soutine 
1894 -1943

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Chaim Soutine (1894—1943). Russian painter. He moved to Paris (1913), living in desperate poverty; there he met Chagall and Modigliani. Like theirs, his work was only tenuously connected with the current Parisian mainstream. S.'s art is closer to other isolated Expressionists such as Nolde and Kokoschka. Under the influence of the Fauves and Van Gogh, the haunted melancholy of his early work gave way to the volcanic violence of colour and technique in the landscapes painted at Ceret (1919—22), e.g. Cnarled Trees whose crude brushwork witnesses furiously expended energy. These are some of the most extreme examples of Expressionism.
With a growing patronage from 1923 (most of his works are still in private colls) his financial hardship was over, but the disturbing images persisted, painted in the colour and texture of raw flesh, e.g. the Rembrandt-inspired Carcass of Beef. Only in his last works, e.g. Windy Day, Auxerres (1939), does a lyrical decorative quality appear.

Amedeo Modigliani, Portrait of Soutine, 1916

 

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Chaim Soutine. The Little Pastry Chef (1922–23)


 

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Self-Portrait 1918

 

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Chaim Soutine. Eva


 

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Chaim Soutine. The Idiot (c. 1920)


 

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Chaim Soutine. Portrait d'homme (Èmile Lejeune) (1922-1923)


 

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Chaim Soutine. The Table (c. 1923) 


 

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Chaim Soutine. View of Céret (c. 1921–22)


 

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Chaim Soutine. Femme a la robe bleue

 

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Chaim Soutine. Landscape at Cagnes

 

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Chaim Soutine. Woman in Pink

 

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Chaim Soutine. Landscape with House

 

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Chaim Soutine. Landscape with Red Houses

 

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Chaim Soutine. Farm Girl

 

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Chaim Soutine. Woman in Pink

 

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Chaim Soutine. Grandmother and Child

 

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Chaim Soutine. Lina






 

Ernst Thoms
1896 – 1983

Ernst Thoms
(November 13, 1896 – May 11, 1983) was a German painter associated with the New Objectivity.

Thoms was born in Nienburg. He apprenticed as a painter from 1911 to 1914. At the start of World War I in 1914, he entered military service. He was captured as a prisoner of war and held in England for five years ending in 1919. In 1920, Thoms studied under Fritz Burger-Mühlfeld at the School of Arts and Crafts in Hanover. He found work as a stage-set painter at the Opera House in Hanover during 1924–25.

Like the other New Objectivity artists active in Hanover, Thoms worked in a style that was unsentimental but "often reveals moods of a lyrical and fairy-tale-like nature", according to Sergiusz Michalski. In Attic (1926), Thoms presents prosaic subject matter in an undramatic way that nevertheless, with its openings into glimpsed spaces, suggests a mystery.

Among the Hanover New Objectivity artists, Thoms was the only one who received any support from the Kestner-Society, which gave him a solo exhibition in 1926. He was also the only one who gained exposure in Berlin, where he had a solo show in 1928 in the Galerie Neumann-Nierendorf. He joined the Hanover Secession in 1931.

Thoms was in military service during 1939–40. In 1943, Allied bombing destroyed his house and studio, causing a loss of many of his works. He was given a retrospective at the Hanover Kunstverein in 1957, and in 1964 was awarded the Grand Cross of Merit of the Lower-Saxony Order of Merit.

Thoms died in Wietzen in 1983.

 

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Self-portrait of Ernst Thoms (1932)

 

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Ernst Thoms 

 

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Ernst Thoms 
In the Café (1927)

 

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Ernst Thoms 
Horses and Trees (1928)

 

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Ernst Thoms

Paar am Tisch, 1922

 

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Ernst Thoms 
Trunkenbold in Kneipe, 1922

 

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Thoms, Ernst:
Bauernpaar mit Kühen

 

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Ernst Thoms -
Turmbau
(1937)
 

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Ernst Thoms 
MORGENTOILETTE , 1923

 

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Ernst Thoms 
Es ist Winter (um 1928)

 

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Ernst Thoms 
Bauer und Mädchen






 

Ivan Albright
1897 – 1983

Ivan Albright (February 20, 1897 – November 18, 1983) was an American painter, sculptor and print-maker most renowned for his self-portraits, character studies, and still lifes. Due to his technique and dark subject matter, he is often categorized among the Magic Realists and is sometimes referred to as the "master of the macabre".

From a family of artists and artisans, Albright emerged on the American art scene in the 1930s and established a reputation as one of the most enigmatic of the American Realists. He shocked, awed and upset the viewing public through his emphasis on the fragility of the body, flesh and the human condition with such works as The Lineman (1928), That Which I Should Have Done I Did Not Do (The Door) (1931), and The Picture of Dorian Gray (1943). His work to highlight the minute detail and texture of every surface often required him to spend years or decades on a single painting.

While Albright's works can be found in museums throughout the United States, the most important repository of his works is at the Art Institute of Chicago.


 

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Self Portrait Drinking
Ivan Albright
1935
 

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Memories of the Past
Ivan Albright
1927
 

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Flesh
Ivan Albright
1928
 

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There Were No Flowers Tonight
Ivan Albright
1929
 

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Nude
Ivan Albright
 

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Into the World There Came a Soul Called Ida
Ivan Albright
1929 - 1930
 

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And Man Created God in His Own Image
Ivan Albright
1930
 

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The Farmer's Kitchen
Ivan Albright
1934
 

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Three Love Birds.
Ivan Albright

 

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Three Love Birds.
Ivan Albright

 

Three Love Birds.
Ivan Albright

 

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The Temptation of St. Anthony
Ivan Albright
1944 - 1945
 

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The Temptation of St. Anthony (detail)
Ivan Albright
1944 - 1945
 

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The Temptation of St. Anthony  (detail)
Ivan Albright
1944 - 1945
 

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The Temptation of St. Anthony  (detail)
Ivan Albright
1944 - 1945
 

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The Temptation of St. Anthony(detail)
Ivan Albright
1944 - 1945
 

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Portrait of Mary Block
Ivan Albright
1955 - 1957
 

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I, Mary, 1976
Ivan Albright
 

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Poor Room
Ivan Albright
Original Title: There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever, and Forever and Forever without End (The Window)
1957 - 1963
 

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A Face from Georgia
Ivan Albright
1970 - 1974
 

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Pray for These Little Ones (Perforce They Live Together)
Ivan Albright
1973 - 1974
 

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Portrait
Ivan Albright

 

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Hail to the Pure
Ivan Albright
1976
 

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Self-Portrait
Ivan Albright

 

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Self Portrait Face
Ivan Albright
 

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Self-Portrait
Ivan Albright
1981
 

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Self-Portrait
Ivan Albright
1982
 

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Self-Portrait
Ivan Albright
1982
 

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Self-Portrait
Ivan Albright
1982
 




 

Grethe Jürgens
1899 – 1981

Grethe Jürgens
(February 15, 1899 – May 8, 1981) was a German painter associated with the New Objectivity.

Jürgens was born in Holzhausen and grew up in Wilhelmshaven. In 1918 she enrolled in the Berlin Technical College, where she studied architecture. From 1919 until 1922 she studied at the Hanover School of Arts and Crafts under Fritz Burgr-Mühlfeld. She was employed in advertising as a draftswoman for the Hackethal Wire Company in Hanover from 1923 to 1927, and continued afterward to work as a freelance commercial artist. Her paintings from this period, such as Garden Picture (1928) and Employment Exchange (1929), show the influence of French artists such as Henri Rousseau and Auguste Herbin.

From 1931 to 1932, Jürgens edited the 12-issue run of the magazine Der Wachsbogen, which served as a theoretical organ of the Hanover artists of the New Objectivity movement. In an essay she published in the magazine, she described the group's artistic approach:

One paints a landscape, trees, houses, vehicles, and sees the world in a new way. Unemployed people, tramps, or beggars are painted, not because they are "interesting characters" ... or through a desire to appeal to the sympathy of society, but because one suddenly realizes that it is in these people that the most powerful expression of the present time is to be found.

In 1932, she participated in the exhibition "Neue Sachlichkeit in Hanover" ("New Objectivity in Hanover") at the Herzog Anton Ulrich Museum in Brunswick. In 1933 she had a solo exhibition in Cologne. After 1933, she worked extensively as an illustrator and designer of book covers. In 1951, the Wilhelm Busch Museum in Hanover presented a retrospective exhition of her works.

Jürgens died in 1981 in Hanover.



 

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Grethe Jürgens
Self Portrait
 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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Grethe Jürgens

 

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